Showing posts with label Robert Silverberg. Show all posts
Showing posts with label Robert Silverberg. Show all posts

Friday, August 26, 2011

Reno Worldcon photos

More photos from Renovation, the 69th World Science Fiction Convention, held in Reno, Nevada, August 17-21, 2011.

Tim Powers
Guest of Honor Speech
Liza Groen Trombi and Gary K. Wolfe
on "The Best Reviews and Reviewers of 2010" Day One.

Atlantis Casino Resort
Sunset over the convention center (lower left)
at the end of Day One, view from the Atlantis.
Howard V. Hendrix and Louise Marley
on "Far Future SF, Then and Now" Day Two.
Poster proclaiming Atlantis
the official party hotel.
Connections in fan history, Hall 2,
with Dave Kyle (red jacket).
Gardner Dozois and Pat Cadigan
on "Science Fiction in the Seventies" Day Three.

Robert Silverberg
signing books in Hall 2.
Jo Walton
reading from "Among Others" on Day Three.
Robert Silverberg and Connie Willis
on "Three Conversations about Charles N. Brown"

An inexpensive nearby alternative
to smokey casino restaurants, open until 3:30 a.m.

Kathleen Ann Goonan
reading from "This Shared Dream" on Day Four
Ian McDonald
signing autographs in Hall 2 on Day Four 

Saladin Ahmed and Lev Grossman
on "Meet the Campbell Award Nominees."
Seanan McGuire, moderator and last year's winner,
with Lauren Beukes,
on "Meet the Campbell Award Nominees."
Saladin Ahmed
on "Meet the Campbell Award Nominees."
Lauren Beukes and Sloth
on "Meet the Campbell Award Nominees."
Larry Correia
on "Meet the Campbell Award Nominees."
Dan Wells
on "Meet the Campbell Award Nominees."
Eileen Gunn and Jo Walton
on "Ursula K. Le Guin at 80"
Kim Stanley Robinson
on "Ursula K. Le Guin at 80"
Jo Walton and Kim Stanley Robinson
on "Ursula K. Le Guin at 80"
Michael Swanwick
reading on Day Five
Michael Swanwick holding the artwork
he used as inpiration for his short story.
George R.R. Martin
sitting on the Iron Throne on Day Five.
George R.R. Martin
signing books on Day Five.
Click on an image to enlarge it. 

Saturday, September 4, 2010

Day Two: Robinson and Silverberg in Conversation

Aussiecon 4, Melbourne
In conversation: Kim Stanley Robinson and Robert Silverberg

Asked if they either one writes in the nude, KSR says no. RS says he has written at the same desk and chair for many years. “A leatherette chair does not lend itself to writing in the nude.”

KSR said they have a common interest in archeological hoaxes and that RS has written a book on the subject. They mention the Kensington Stone, a rune covered rock that suggested that Vikings had come to Minnesota in the 14th Century. KSR describes how appealing this fiction was for him as a boy. RS quotes an Italian proverb: “Even if it was not true, it was well invented.”

Science fiction and history are inextricably linked. RS: “The past and the future are both strange countries.”

Moving away from hoaxes: a Caucasoid skeleton found in Washington State is dated at 9,000 years old (Kennewick Man).  The Native American community is upset by this. RS describes their reaction as: “We know our history and it’s not like this.”

Tollund Man was discovered in a peat bog in Denmark. He was a human sacrifice, found with a rope around his neck. RS: “His face is beautiful. The face of the Dalai Lama.”

KSR asked RS about his transition as a SF writer into a leader of the New Wave in the late 60s and early 70s. KSR said RS was banging out stories at “inhuman speed.” RS responded, saying, “Just improbable speed.” Of the transition RS said: “I’m an overnight success after 25 years of hard work.”

RS described some of his background. Columbia education, studied Latin, read Mann, Faulkner, etc. He started writing for the pulps, “two-fisted space stories.” RS tried emulating the best SF writers, Theodore Sturgeon, Jack Vance, Fritz Leiber. He couldn’t sell those, so he wrote potboilers and those did sell. His transition to the New Wave came after he had mastered technical skills. He asked himself: “Why do the minimum?” Newcomers Roger Zelazny and Samuel R. Delany had entered the field writing at a high level. “I thought: Why not? Do it.”

KSR said he doesn’t read much current SF. He said there are benefits. “The less you know (about current works in SF) the more idiosyncratic you become.”

Regarding the writing process: KSR said he prefers not to know how many words he is writing each day. He likes to be surprised at how many pages pile up when he eventually hits the print button.

RS: “Not only do I know how many words I am writing, I know how long the story will be.” For his novel, The Alien Years, RS told his editor that the book would be about 600 pages. It came out at 597 pages. “That’s close enough to be a rounding error.”

KSR on the current state of SF: “There is something in the water in Great Britain.” He said there are 20 or more very strong SF writers at work there at present.

RS: “You’re something of an environmentalist.” (Eliciting a chuckle from the audience.)
KSR: “Except when I am flying to the other side of the world for parties.”

KSR: (Reacting to the notion that there is a “pure” environmentalist.) “Notions of purity are close to evil.” (For example:) “There is no such thing as wilderness.” There is no part of the earth untouched by humanity. (Another example:) “We might need nuclear power as a bridge technology.” Purists disagree. KSR can see a role for nuclear power in the process of moving away from fossil fuels.
“The planet is simply our body. That’s not some poetic notion. Try holding your breath.” The planet is an extended part of your body. Even if you are completely selfish, only interested in sex, drugs and rock ‘n’ roll, the better you take care of your “body” the more sex, drugs and rock ‘n’ roll you get to experience.

RS is pleased to hear of KSR’s flexibility and impurity. “In Adam’s fall we sinned all.” (The New England Primer, circa 1687).

RS describes himself as conservative and that he arrived at his views in a thoughtful manner. “I am not an oppressor. I want to aid the masses in my patrician, aloof way.”

KSR: Science fiction has a belief in the scientific method as a way to make the world a better place, leading to the greatest good for the greatest number. SF is a lively political literature, a conversation, a dialectic.
KSR believes in a modesty of action. Ameliorist, slow paced, measured. Erecting a scaffolding (a framework to improve quality of life), generation by generation, each building on the past. Don’t build it too high at once or the scaffolding could collapse.

RS: Advocates Hegelian homeostasis. He celebrates the American 19th Century robber barons as the great builders, who created much. By the 1920s they had gone too far and needed a corrective. The “tyrant” Franklin Roosevelt imposed changes. These corrections are dialectic swings to arrive at a happy middle.

KSR: We all have blank spots in our vision. We seldom see the poorest two billion people on this planet. The ones who live on a dollar a day or less.

Related posts:
More about Aussiecon 4
2010 Hugo Results and Reactions
Day One: Environmental Politics in SFF
Preparations for traveling to Australia

Wednesday, August 26, 2009

Early influences


At the Locus Roundtable, Adrienne Martini asks what title pulled you into the science fiction and fantasy genre and what made you stay?

I’ll take the opportunity to get nostalgic:

My earliest memories include reading (or being read to) Nathaniel Hawthorne’s Tanglewood Tales (1852), a rewriting of Greek myths, and Rudyard Kipling’s Just So Stories (1902). These remain some of the greatest fables for young readers I have encountered. There was a volume of tales about Robin Hood for young readers, which edition I don’t know.

I have very clear memories of my father reading C.S. Lewis’ The Lion, the Witch, and the Wardrobe (1950), to me and my older brother at bedtime, when I was age five or six, and how desperate we were for each new chapter. A couple years later, my grandmother brought us Turkish Delight and we finally tasted the exotic treat with which Edmund had been tempted.

At age 11, I borrowed Ray Bradbury’s The Illustrated Man (1951), which my brother had been reading. I enjoyed it, even though parts of it were a bit too scary.

When I was 13, a friend at school recommended a book he had found in the school library, Robert Silverberg’s The Gate of Worlds (1967), which is perhaps Silverberg’s best young adult book, and remains overlooked by many, I believe.

That same year, over dinner, my mother (who had been a science fiction fan since long before I was born) and brother discussed a book they were both reading. It was about a desert planet, giant sandworms, and a mysterious drug called “spice” that was in all the food and turned the whites of people’s eyes blue. I borrowed it next, even though Frank Herbert's Dune (1965) was larger in scope and scale than anything I had read before. After that I was off to the races, reading voraciously.

Please add your own early reading memories in the comments here, or at the Locus Roundtable.