Showing posts with label Elizabeth Hand. Show all posts
Showing posts with label Elizabeth Hand. Show all posts

Sunday, August 31, 2014

More Loncon 3 panel photos

More photos from panel discussions I attended at Loncon 3, the 72nd World Science Fiction Convention, held August 14-18, 2014, in London.

Christopher Priest, writer,
"Becoming History" panel

Elizabeth Hand, writer, 
"Becoming History" panel

Graham Sleight, critic,
"Becoming History" panel

John Clute, critic,
"Becoming History" panel

 Peter Higgins, writer,
"Becoming History" panel

Kate Nepveu, reviewer,
"The Canon is Dead. What now?"

Connie Willis, writer,
"The Canon is Dead. What now?"

Joe Monti, editor.
"The Canon is Dead. What now?"

Alvaro Zinos-Amaro, writer,
"The Canon is Dead. What now?"

 Chris Beckett, writer,
"The Canon is Dead. What now?"

Related links on this blog:
2014 Hugo Award winners
John Clute kaffeeklatsch
Loncon 3 panel photos
Still more Loncon 3 photos
Yes, more Locon 3 photos
Loncon 3 notes and quotes

Sunday, March 18, 2012

The Coode Street Podcast


Hosts Jonathan Strahan and Gary K. Wolfe have created a relaxed and knowledgeable podcast about books and the science fiction community. They frequently have read and praised the best books of the year before they become available to the public, which is valuable to any reader.

As The Coode Street Podcast has matured, their interviews have improved and become the strength of the podcast. I would go so far as to say that these interviews have become important listening for anyone interested in science fiction, fantasy, and related fiction.

Here’s an overview of interviews so far in 2012 that were remarkable:

Elizabeth Hand
Hand discusses her two new novels, Available Dark (sequel to Generation Loss) and Radiant Days. Gary Wolfe suggests that the arts are central to Hand’s recent work, which frequently deal with struggling artists, photographers, painters, the theatre, and Rimbaud in Radiant Days. Hand finds that novella-length may be her natural story length. (follow here)

Ellen Kushner
Kushner shares the process of adapting her novel Swordpoint into an audio book, available on Audible.com. (follow here)

Barry Malzberg
Malzberg, a grand old man of the science fiction field, whose memories and experiences are a treasure, advances his theory that the 1950s is the Golden Age of science fiction. Kindly overlook the comically maladroit use of Skype. (follow here)

Michael Dirda
Essayist and long-time book reviewer for the Washington Post, Dirda shares his enthusiasm for the fathers of genre fiction: Jules Verne, H.G. Wells, Arthur Conan Doyle, and Edgar Rice Burroughs. (follow here)

Peter Straub
Straub and his hosts consider the wonders and joys of reading Gene Wolfe (I could listen to listen to them talk about Gene Wolfe all day long). Straub praises the work of Brian Evenson and Caitlín Keirnan. He calls Keirnan’s new book, The Drowning Girl: A Memoir (2012), a masterpiece. They discuss the limitations of genre boundaries and the Library of America’s notions of genre. (follow here)

Older episodes of The Coode Street Podcast have featured many fine guests, including Ursula K. Le Guin. Unfortunately they spent the Le Guin interview discussing the (by all accounts) under-informed book of essays about science fiction by Margaret Atwood, instead of talking about something more interesting, like what writing Le Guin herself is working on, or what books that she has read recently that she is excited about.

A list of prior guests reads like a Who’s Who of the science fiction community: Kim Stanley Robinson, Ian McDonald. Alastair Reynolds, Jo Walton, John Clute, Ellen Klages, Eileen Gunn, Geoff Ryman, Terry Bisson, Greg Bear, Karen Lord, Ellen Datlow, Jeffrey Ford and many others.

Friday, January 20, 2012

A Gathering of Links

News item: Connie Willis was named the 2011 recipient SFWA Grand Master Award. (follow here)

News item: Gene Wolfe will be celebrated with the Fuller Award, a new Chicago-area literary award, and an evening of entertainment. (follow here)

Samuel R. Delany: "I think of myself as someone who thinks largely through writing.”
-- From a Paris Review interview. (follow here)

William Gibson: “E. M. Forster’s idea has always stuck with me -- that a writer who’s fully in control of the characters hasn’t even started to do the work. I’ve never had any direct fictional input, that I know of, from dreams, but when I’m working optimally I’m in the equivalent of an ongoing lucid dream.”
-- From a Paris Review interview. (follow here)

"He has handed us a map to his own magic doorways." From the New York Times review by Pagan Kennedy of William Gibson’s new book of essays Distrust That Particular Flavor. (follow here)

"At the core of sf lies the experience of science ... The Mars and stars and digital deserts of our best novels are, finally, to be taken as real, as if to say: life isn’t like this, it is this." Gregory Benford on rereading The Dreams Our Stuff Is Made Of (1998) by Thomas M. Disch (via SanJuanJon). (follow here)

Soviet-era visions of Mars (via BLDGBLOG). (follow here)

"Extra(ordinary) People is my favorite of Russ’s collections, a forceful, beautiful, astounding book that leaves me low on words to compensate for how I respond to it." Brit Mandelo reads Joanna Russ's Extra(ordinary) People (1984). (follow here: part one and part two)

Elizabeth Hand has two novels forthcoming, Available Dark, due February 2012, and Radiant Days, due April 2012. Hand was recently interviewed on The Coode Street Podcast (follow here). Hand writes about six favorite books (follow here).

Jeff VanderMeer's essay on overlooked books from 2011 convinced me to spend cold hard cash for several books that I had managed to miss (follow here).

VanderMeer gives a rundown of the 2011 nominees for the Philip K. Dick Award, in which he calls Maureen F. McHugh's After the Apocalypse "a brilliant book." I'm reading it right now and couldn't agree more. (follow here)

Monday, April 25, 2011

Reactions to 2011 Hugo Award Nominees

I’ve read three of the novels on the 2011 Hugo Awards shortlist that was announced yesterday, including The Dervish House by Ian McDonald, which is my top choice so far. I have yet to read the Connie Willis and the Lois McMaster Bujold. When I have finished them I’ll give my rankings in a post on this blog.

In the novella category, I’ve read all five of the nominees and I think this is a solid category. Four of these stories are very strong.  "The Maiden Flight of McCauley's Bellerophon" is an easy choice for me. The story is beautifully written. Its dovetailing stories are nostalgic and wonderfully poignant. My ballot ranking:

1. "The Maiden Flight of McCauley's Bellerophon" by Elizabeth Hand (Stories)
2. “The Lifecycle of Software Objects” by Ted Chiang (Subterranean)
3. "The Lady Who Plucked Red Flowers beneath the Queen's Window" by Rachel Swirsky (Subterranean)
4. "Troika" by Alastair Reynolds (Godlike Machines)
5. "The Sultan of the Clouds" by Geoffrey A. Landis (Asimov's)

The main omission on the novella list is "Ghosts Doing the Orange Dance" by Paul Park (F&SF), which would have given “McCauley's Bellerophon" competition for the top spot on my ballot. "Ghosts Doing the Orange Dance" is a challenging story, and popular-vote awards don't usually reward stories that take a little effort on the part of the reader. Gratifyingly, "Ghosts"  is on the Nebula Award shortlist.

I haven’t read enough of other nominees to comment just yet. If the creek don’t rise, I will comment on each of the fiction categories, and perhaps some others, too.

Related links:
2011 Hugo Award Nominees
2011 Hugo Nominations: Novella