Showing posts with label M. John Harrison. Show all posts
Showing posts with label M. John Harrison. Show all posts

Monday, April 18, 2016

Paolo and others

Paolo of the moment

Paolo Bacigalupi's voice could be heard on the 08 April 2016 episode of the Science Friday radio show/podcast. (Follow here.)

A print interview is featured in the current Locus Magazine. An excerpt appears online. (Follow here.)

Shedding some "Light"

M. John Harrison: "The best work neither shows nor tells: it says by being, not by saying."

A new Harrison interview is available online. (Follow here.)

Hugo numerology


According to a 14 April 2016 news release from MidAmericon2: "Over 4,000 nominating ballots were received for the 2016 Hugo Awards, nearly doubling the previous record of 2,122 ballots set last year by Sasquan, the 73rd Worldcon held in Spokane, WA."

The Hugo Award shortlists will be announced on 26 April 2016.

Friday, July 27, 2012

More July book arrivals


More July 2012 book arrivals, including what promises to be a major new novel from M. John Harrison and significant new single-author collections of short fiction from Kathleen Ann Goonan and Jonathan Carroll.



"No point is more central than this, that empty space is not empty. It is the seat of the most violent physics," John A. Wheeler, is the lead epigraph in the new novel, Empty Space: A Haunting by M. John Harrison. I expect it will be one of the important science fiction novels of 2012. This is the third in a loosely related series. The earlier books were the landmark novel Light (2002), winner of the James Tiptree Jr Award, and Nova Swing (2006), winner of the Arthur C. Clarke Award. Harrison is one of the major literary talents in the science fiction genre, mostly unknown in the United States.



The Song of Synth and Absinth, two novels by Sebastien Doubinsky, presented back-to-back, each with its own cover, like the old Ace Double paperbacks. This is a high-quality hardback from PS Publishing. There are introductions for each novel: one by Lucius Shepard, one by Paul Witcover.



Black Wings II: New Tales of Lovecraftian Horror edited by S. T. Joshi contains stories by John Shirley, Caitlin R. Kiernan, Nick Mamatas, and Brian Evenson, just to name a few.



Eat Jellied Eels and Think Distant Thoughts, or The Conspirocrats by Kris Saknussemm. Saknussemm is the author of Zanesville and Enigmatic Pilot.


The Lonely Hunter by John Grant. Grant won a non-fiction Hugo Award and a World Fantasy Award  as co-editor with John Clute of The Encyclopedia of Fantasy (1997).


The Wurms of Blearmouth: A Tale of Bauchelain and Korbal Broach by Steven Erikson is the latest in a series of stories featuring two characters from his enormous Malazan Book of the Fallen series.



Angels and You Dogs by Kathleen Ann Goonan is the first collection of the author's short fiction. Goonan has created a significant body of excellent work, both in novels and short fiction. Her first novel, Queen City Jazz (1994), began her Nanotech Quartet. Her sixth novel, In War Times (2007), won the John W. Campbell Memorial Award for Best Science Fiction Novel. It was followed by a sequel, This Shared Dream, which your humble blog correspondent thinks is one of the best SF novels of 2011.


I've been an admirer of Jonathan Carroll's short fiction since reading "Friend's Best Man" in the January 1987 issue of F&SF. It's a pleasure to receive this generous-sized collection of 38 of his stories, The Woman Who Married a Cloud: Collected Stories by Jonathan Carroll. His novels are worth your attention, too.




The Coldest War by Ian Tregillis is the second in his Milkweed series. The first book was Bitter Seeds (2010).


The new fiftieth anniversary edition of The Drowned World by J. G. Ballard, the author's second novel. This edition includes an introduction by Martin Amis.

Wednesday, October 7, 2009

Booker prize

The 2009 Man Booker Prize for Fiction, Britain’s most prestigious literary award, went to Hilary Mantel for Wolf Hall (Fourth Estate, 2009) yesterday.

Here is a recap of recent discussion regarding the Booker prize in the science fiction community:

Kim Stanley Robinson takes a poke at the Booker prize judges
“… it seems to me that three or four of the last 10 Booker prizes should have gone to science fiction novels the juries hadn't read. Should I name names? Why not: Air by Geoff Ryman should have won in 2005, Life by Gwyneth Jones in 2004, and Signs of Life by M. John Harrison in 1997. Indeed this year the prize should probably go to a science fiction comedy called Yellow Blue Tibia, by Adam Roberts.”

This stirred up some dust. Robinson’s New Scientist article, of course, had more to say than that. Among other things, we learn that Virginia Woolf was a fan of Olaf Stapledon in a previously unpublished letter.

Robinson's argument contains three main points:

1. British science fiction is in a golden age. (SF Strangelove says: Yes indeed.)

2. Science fiction is the literature of now. It engages and explores today’s issues in ways that no other fiction does. (SF Strangelove says: Agreed.)

3. It’s a shame that British science fiction writers and their books don’t get respect from the mainstream literary community. (SF Strangelove says: Um, not really. In the long run that blind spot will reflect poorly on the Booker prize rather than on the science fiction novels that the prize overlooks.)

For those who don’t know: Kim Stanley Robinson is one of the greatest American science fiction authors. His work includes: Red Mars, Green Mars, Blue Mars, Antarctica, and The Years of Rice and Salt.

Booker prize judges respond
The chair of this year's Booker judges, James Naughtie, admitted that Robinson "may well have a point", but suggested that "perhaps his arrows could be directed even more towards publishers than to judges. ...We judge books that are submitted."

His fellow Booker judge, John Mullan, was less charitable. Full article.

Additional links:
Adam Roberts reacts
The Man Booker Prize coverage
The Man Booker Prize website