Showing posts with label George R.R. Martin. Show all posts
Showing posts with label George R.R. Martin. Show all posts

Thursday, August 20, 2015

David Gerrold, George RR Martin, and more at Sasquan

Here are some photos from a couple of the events I went to today, Thursday, August 20, 2015 at Sasquan, the World Science Fiction Convention in Spokane, Washington.

David Gerrold at the Guest of Honor interview.

Vincent Docherty conducting the David Gerrold interview.

George R.R. Martin reading from his forthcoming book "Winds of Winter."

Tuesday, September 2, 2014

Yes, more Loncon 3 photos

More photos from Loncon 3, the 72nd World Science Fiction Convention, held August 14-18, 2014, in London.

 Kathleen Ann Goonan, writer,
"The Politics of Utopia"

 Kim Stanley Robinson, writer,
"The Politics of Utopia"

David Farnell, scholar,
"The Politics of Utopia"

Worldcon Philharmonic Orchestra

Broadway at the ExCel London convention center. 

Fan Village

George R.R. Martin
reading from his forthcoming book.

David Langford, writer and editor, and Jonathan Clements, writer and editor,
"The Evolution of the Encyclopedia of Science Fiction"

 Neal Tringham, writer and editor,
"The Evolution of the Encyclopedia of Science Fiction"

 John Clute, critic and editor,
"The Evolution of the Encyclopedia of Science Fiction"

 Graham Sleight, critic and editor, and Rick Wilber, writer and editor,
"The Evolution of the Encyclopedia of Science Fiction"

 Kim Stanley Robinson, writer,
reading from his forthcoming novel.

Ian R. MacLeod, writer,
reading from his forthcoming novel.

Related links on this blog:

Thursday, July 26, 2012

The 2012 Hugo Awards: Best Novel shortlist


Leviathan Wakes by James S. A. Corey (Orbit)
Deadline by Mira Grant (Orbit)
A Dance With Dragons by George R. R. Martin (Bantam Spectra)
Embassytown by China Miéville (Macmillan / Del Rey)
Among Others by Jo Walton (Tor)

Starting from worst to best, here are my rankings:

I won’t be reading Deadline by Mira Grant. I read the first book in the series, Feed, which was on the Hugo Award Best Novel shortlist last year and I had a strongly negative reaction to it. It will be a long time before I am likely to give the author another chance.  The main problem with Feed for me, as someone who worked in journalism for many years, is that since the main character is a journalist, the author needs to convince me that he or she knows something about journalism. Unfortunately, Feed demonstrated some basic misunderstandings about what journalists do and how they do it. As a result I lost confidence in the author. I did finish reading Feed. It read as an early draft of the novel that was intended. It’s about zombies, which scores negative points for lack of originality. (For more about Feed follow here.)

Leviathan Wakes by James S. A. Corey (a pseudonym for Daniel Abraham and Ty Franck) reads like two novels mashed together. Story one: a hard-bitten detective pursues a missing person’s case across the asteroid belt. Story two: an idealistic space-ship captain and his faithful crew have a series of adventures across the solar system. Unfortunately, neither story is particularly interesting. The world building and the plot points are built from over-used parts. The prose feels rushed and hobbled with clichés. The characters are thin. The fascination with weapons and violence suggests that the novel is intended for 13-year-old boys. It features zombies, which scores negative points for lack of originality.

A Dance With Dragons by George R. R. Martin is a category error. The Hugo Awards don’t have a category (thank goodness) for a middle volume of an unfinished and apparently endless series. This book doesn’t belong in the best novel category. It’s certainly not self-contained. It reads like a very long set of middle chapters excerpted from an incredibly long novel, which is exactly what it is. I enjoyed it, even though it is overlong and could use some editing. It comes from the more-is-better school of series fiction, so any complaint I have that it is too long is only a recommendation to those who like this sort of thing. It features zombies, which scores negative points for lack of originality.

Among Others by Jo Walton is a cleverly constructed character portrait of a teenage girl dealing with issues of arriving at a new boarding school, relationships with boys, a dysfunctional family, and grief over the unnatural death of her twin sister. It is also a fantasy novel that confounds reader expectations by being set entirely after the climactic battle between opposing magical forces. Along the way the reader encounters remarkably alien faerie creatures and a vivid and original magical system. Our main character spends much of her time in the school library and discovers a variety of science fiction and fantasy novels from the 1960s and ‘70s and offers her impressions of each reading experience. What could be seen as calculated fan-service instead provides a surprising depth of insight into the thoughts and maturation of our young viewpoint character. Among Others is an excellent novel with layers that reward close attention.

Embassytown by China Miéville is an ambitious, difficult, and brilliant novel. There are problems with the structure and pacing of the novel, none of which matter when rereading the book. I can imagine that many readers new to Miéville will give up in the first hundred pages or so. I’ve read other Miéville novels; he has earned my trust. I knew that if I stayed the course I would be rewarded.  It’s a novel about language. The central metaphor is to literalize certain aspects of language: that language limits our experience of the world, that language circumscribes identity, that language is an intoxicant. It’s set on a far flung alien planet with an intelligent species whose language is confoundingly different from our own. Communication breaks down in a dramatic fashion, causing a revolution among the aliens, and conceptual breakthroughs are required to reestablish communication. This is a fascinating novel, with thoughtful ideas about language incorporated into a compelling story.  Judging from the four Miéville novels that I’ve read, this is his best yet. (For more about Embassytown follow here.)

SF Strangelove’s ranking of the Hugo Awards Best Novel shortlist:
1. Embassytown by China Miéville
2. Among Others by Jo Walton
3. A Dance With Dragons by George R. R. Martin
4. No award
5. Leviathan Wakes by James S. A. Corey

Anything after “no award” doesn’t matter in the voting. A Dance With Dragons only barely makes it above “no award” in my estimation.

It’s a relief to be able to say that two of the five best novel nominees are actually worthy of a best novel award. That makes it an above-average year for the Hugo Awards Best Novel shortlist.

Here are novels I’ve read that deserved a spot on the best novel shortlist:

The best science fiction novels published in 2011:
This Shared Dream by Kathleen Ann Goonan
Embassytown by China Miéville
The Islanders by Christopher Priest
Home Fires by Gene Wolfe

The best fantasy novels published in 2011:
The Uncertain Places by Lisa Goldstein
Among Others by Jo Walton

I’m sure I missed a few. Still, that’s more than enough to fill my ideal Hugo shorlist. Simply put, the Hugo Awards nominators missed several superior novels.

Friday, January 27, 2012

Three novels that were too damn long


I've read three novels published in 2011 that were just too damn long. At some point, my interest faded and it was only the desire to see it through that compelled me to continue reading to the end.

A Dance with Dragons by George R.R. Martin, 1040 pages
Reamde by Neal Stephenson, 1056 pages
1Q84 by  Haruki Murakami, 944 pages

A Dance with Dragons is a middle volume in Martin’s multi-volume epic, A Song of Ice and Fire, that began with A Game of Thrones (1996). The current volume is the fifth, yet I dare say even Martin seems unsure how many volumes (or years) remain before the end. This is the sort of series that is really one long continuous story. Each volume offers little, if any, closure. It’s the sort of series that I usually avoid reading until the final volume is published. Reading this series has taught me again why I adopted such a policy. Still, there is much to enjoy. In the current volume, there is a wedding scene that is achingly well written, evoking a spectrum of strong emotions. On the whole, alas, it wanders. Characters travel, deals are made, battles are fought or avoided, and so very little is accomplished. It’s a pleasure to spend time in the world that Martin has carefully created, even if the time spent seems aimless.

Reamde is an exercise in plot, or so Stephenson has said in interviews. Unfortunately, by focusing on plot Stephenson has stripped away many of the reasons I enjoy his novels. While Reamde has a science-fictional gaze on the world, it is not science fiction. It’s set in the immediate future. He is the great explainer of concepts, as I’ve written before on this blog, and here he explains a new massive-multiplayer online game, and the economics of gold-farming within the game, which may seem overly familiar if, like me, readers have played a MMORPG sometime in the past decade. What remains is a thriller involving computer hackers, the Russian mafia, and terrorists. A diverting ride, yet disappointing coming, as it does, after a more thoughtful novel, Anathem (2008). (SF Strangelove’s review of Anathem.)

Murakami’s novel 1Q84 (or trilogy of novels, as it was originally published in Japan) is set in Japan in an alternate version of our year 1984, notably different for the presence of two moons in the sky and a handful fantastic events, such as an immaculate conception. The story exists somewhere on the spectrum of what John Clute calls fantastika, which embraces science fiction, fantasy, horror, and related works. I would call it an example of fantastika-lite, where the fantastic elements are used merely for mood and effect, rather than as concepts to be examined and explored. The underlying story is a boy meets girl, boy and girl are separated, and eventually boy and girl are reunited. This simple structure did not sustain my interest for 900-plus pages. These pages are filled with enormous amounts of repetition and padding. Characters frequently repeat dialog back to each other, then they share, and re-share, and re-re-share the same information and concerns over and over again. Amid the multitude of digressions there are some interesting stories within stories. Not enough to make it worth recommending. I could go on about the dozens of “pervy” references to women’s breasts, or the unconvincing way that female characters talk to each other about their breasts (“like a teenage boy’s fantasy of a woman describing another woman’s breasts”). The quotes are from Charles Yu’s review of the book and he has done a fine job. (Charles Yu’s review of 1Q84. Edited: link updated.)

Friday, August 26, 2011

Reno Worldcon photos

More photos from Renovation, the 69th World Science Fiction Convention, held in Reno, Nevada, August 17-21, 2011.

Tim Powers
Guest of Honor Speech
Liza Groen Trombi and Gary K. Wolfe
on "The Best Reviews and Reviewers of 2010" Day One.

Atlantis Casino Resort
Sunset over the convention center (lower left)
at the end of Day One, view from the Atlantis.
Howard V. Hendrix and Louise Marley
on "Far Future SF, Then and Now" Day Two.
Poster proclaiming Atlantis
the official party hotel.
Connections in fan history, Hall 2,
with Dave Kyle (red jacket).
Gardner Dozois and Pat Cadigan
on "Science Fiction in the Seventies" Day Three.

Robert Silverberg
signing books in Hall 2.
Jo Walton
reading from "Among Others" on Day Three.
Robert Silverberg and Connie Willis
on "Three Conversations about Charles N. Brown"

An inexpensive nearby alternative
to smokey casino restaurants, open until 3:30 a.m.

Kathleen Ann Goonan
reading from "This Shared Dream" on Day Four
Ian McDonald
signing autographs in Hall 2 on Day Four 

Saladin Ahmed and Lev Grossman
on "Meet the Campbell Award Nominees."
Seanan McGuire, moderator and last year's winner,
with Lauren Beukes,
on "Meet the Campbell Award Nominees."
Saladin Ahmed
on "Meet the Campbell Award Nominees."
Lauren Beukes and Sloth
on "Meet the Campbell Award Nominees."
Larry Correia
on "Meet the Campbell Award Nominees."
Dan Wells
on "Meet the Campbell Award Nominees."
Eileen Gunn and Jo Walton
on "Ursula K. Le Guin at 80"
Kim Stanley Robinson
on "Ursula K. Le Guin at 80"
Jo Walton and Kim Stanley Robinson
on "Ursula K. Le Guin at 80"
Michael Swanwick
reading on Day Five
Michael Swanwick holding the artwork
he used as inpiration for his short story.
George R.R. Martin
sitting on the Iron Throne on Day Five.
George R.R. Martin
signing books on Day Five.
Click on an image to enlarge it. 

Friday, September 17, 2010

More about Aussiecon 4

Here at the SF Strangelove household, the three travelers are still recovering from jet lag and sleep deprivation from the 14-hour return flight on a Qantas Airbus A380 from Sydney to Los Angeles. The airline seats in steerage (aka Economy), which at first seemed moderately comfortable, transformed over time into medieval torture devices. Between the three of us there may have been one successful if brief catnap.

While we accomplished many tourist goals while traveling to four cities in Australia and New Zealand, the main event was Aussiecon 4, aka Worldcon, aka the World Science Fiction Convention, held September 2 through 6, 2010, in Melbourne, Australia.

As Cheryl Morgan noted (follow here), the convention facility was the best ever for a Worldcon. It was modern (almost new), compact, and highly accessible. On the other hand, it did not have drinking fountains and the convention committee did not provide water coolers or bottled water, making for a rather parched convention. Otherwise the convention went quite well as far as I could see. The dealer’s room seemed small to me. Over at the Galactic Suburbia podcast (follow here) the dealer’s room was described as large by Australian standards. Perhaps it’s just my USA-biased perception. There were books that are rare and hard to obtain in the USA, making it full of delights for me and a challenge to come in under the weight limit for airline baggage.

In addition to the blog posts (all two of them) that I was able to write while the convention was underway, I did use Twitter (@strangelove4sf) during the Hugo Awards (#hugos) and at other times during the convention. Here is a sampling:
KSR: "I can say to you flatly the book of mine that I am most proud is The Years of Rice and Salt." #worldcon #aus412:53 AM Sep 4th via web
KSR: "My original notion of Mars: That would be a good place to backpack." #worldcon #aus4 12:51 AM Sep 4th via web
KSR: "The people living in cardboard shacks do not complain about the boredom of Utopia. They are willing to give it a try." #worldcon #aus4 12:50 AM Sep 4th via web
When SF becomes literature panel: Simon Spanton says publishing is the thin neck in hourglass between writer and reader #worldcon #aus4 7:36 PM Sep 3rd via web
GRR Martin Game of Thrones panel: No film clip, no stills, no snap shots, no real news. Just George talking. Still enjoyable #worldcon #aus4 12:03 AM Sep 3rd via web
The three quotes from Kim Stanley Robinson (KSR) came from the question and answer period at the end of his Guest of Honor Speech.  Robinson gave generously of his time at Aussiecon 4, appearing on several panels and giving three talks: Time and the Novel, Climate Change and Utopia, and his Guest of Honor Speech. I attended several of these and they were easily the highlights of the convention programming for me.

The George R.R. Martin-related tweet above refers to a talk he gave about the upcoming 10-episode series based on A Game of Thrones, the first book in Martin’s massive and unfinished A Song of Ice and Fire fantasy series. Martin explained that HBO was not willing for him to show any images from the TV series other than the brief teaser that already has been released. Martin gave a rambling talk about the history of how the TV series entered development, who is involved, and his thoughts on various aspects of the adaptation. It was a pleasant way to spend an hour.

Monday, November 9, 2009

Caught reading in public




Being a nosy sort of person, I like to check out what people are reading when they read in public. At lunchtime today at Chipotle a young woman was reading George R.R. Martin’s A Game of Thrones (1996). In terms of fantasy and science fiction, Martin is the clear leader in my unscientific observations of what people read. It used to be that Stephen King was the genre’s favorite read-in-public author, and maybe it will be King again with Under the Dome (2009).

Martin’s A Song of Ice and Fire epic, of which A Game of Thrones is the first volume of four extant, is a remarkable multithreaded novel, inspired by the Wars of the Roses, and it’s far from finished. The several thousand pages so far published read quickly and are dark, surprising, intricately plotted, and full of sex and violence. The story is told from a wide variety of well-drawn viewpoint characters.

I don’t, as a rule, read or recommend an unfinished work. I’ll make an exception and recommend this one.

Links
George R.R. Martin: Not a Blog
Soon to be an HBO series? Update