The claustrophobically confined life aboard living submarine craft and cramped space in underwater habitats is redoubled by the constrictive responsibility of being the sole caregiver for an “aged,” an unproductive senior with dementia. Osaji cares for her grandmother, which precludes many preferred assignments and marriage.
Care for seniors, not a common topic in science fiction, is sensitively handled. The indirect speech and passive-aggressive behavior within overcrowded living spaces is well considered. (For example, a request to return to the ship: “Will she be coming in soon?” The reply: “She will be pleased to.”) The author tips her hand a bit by providing Japanese names for most characters, except a loud American-sounding gaijin named Scrappin’ Jack Halliday.
Due to an undersea volcanic eruption, Osaji, her grandmother, and Jack are cast adrift far from known waters on a water-covered planet. The story turns toward planetary romance as they discover unknown flora and fauna, and glimpse an abandoned underwater city. The story has a leisurely pace and resolves well on several levels.
Still, practicalities kept coming to mind: How would pressure not be an issue, diving at various depths? Would a biological submarine (the “ark” of the title), based on autopoiesis, be as maintenance free as the story suggests? Would they actually rely on currents and not include a propulsion system? Would a society capable of space travel not have sophisticated imagery of the entire planet’s undersea floor?
It’s an interesting choice as both the lead-off story and the longest story in the anthology, and a mostly satisfying one.
"Arkfall" by Carolyn Ives Gilman, originally published in Fantasy & Science Fiction, September 2008
Link: Year’s Best SF 14 summation and table of contents